sxsw Music Speakers A-L

Ken Abdo, Lommen Abdo Law Firm

• CLE 5: Music Law Ethics - Really?

Matthew Adell, Napster

• Selling Music as a Service

Phil Alexander, Mojo

• SXSW Interview: Mick Jones and Tony James

Patrick Amory, Matador Records

• Vinyl Revival

Nick Angel, Working Title Films

• Music Licensing for TV and Film in Europe

Martin Atkins, Invisible Records

• Tour Smart

David Ayers, Chrysalis Music Group

• A&R: New Players in the Game

Michael Azerrad

• Through the Lens: Photographers on Musicians

Roggie Baer, Rajiworld Tour Consultants

• Mentor Session 3

Nick Baily, Shore Fire Media

• Crash Course #3: Press & Publicity

Vlad Bar, Capitol Records

• Demo Listening 2

Paul Barretta, Talent Clearing House Inc

• Crash Course #5: Accounting

Nick Becker, O2 UK Ltd

• Brands, Bands, and Fans

Richard Bengloff, The American Association of Independent Music (A2IM)

• The Performance Royalty Debate

Bill Bentley, Sonic Boomers

• Boomer Power

Paul Bezilla, Lommen Abdo Law Firm

• CLE 6: Are 360 Deals Justified?

Nicky Bignell, BBC

• Music Licensing for TV and Film in Europe

Terrie Bjorklund, AFTRA

• The Performance Royalty Debate

Rob Bleetstein, Radio-i-o.com

• Resolving Webcasting Fees

Mark Bliesener, BandGuru Management

• Mentor Session 4

Fiona Bloom, The Bloom Effect Inc

• Quickies Session 1: Press, Publicists, and Bloggers

Jeff Blue, Virgin Records

• Quickies Session 4: In the Studio

Jeffrey Brabec, Chrysalis Music Group

• CLE 4: How Much Revenue Is Being Collected (or Missed) from International Publishing?

• Making Money as a Songwriter and Music Publisher

Todd Brabec, ASCAP

• CLE 4: How Much Revenue Is Being Collected (or Missed) from International Publishing?

• Making Money as a Songwriter and Music Publisher

Michael Bracy, Future of Music Coalition

• Selling Music as a Service

Peter Bradbury, BBC

• Music Licensing for TV and Film in Europe

Bonnie Bramlett, Rockin' Camel Music

• Boomer Power

David Brewster, PlayNetwork Inc

• This Year's Model: Brand Labels

Tom Bridgewater, Loose Music

• Demo Listening 2

Glenn Otis Brown, YouTube

• The Best Online Resources

Carrie Brownstein, NPR

• The Blog Factor

Clem Burke, Blondie Music Inc

• Quickies Session 3: The Live Show

Amy Butterer, The Billions Corporation

• Quickies Session 3: The Live Show

Gary Calamar, GO Music Services

• On Set with Music Supervisors

Bryan Calhoun, Label Management Systems, LLC

• Mobility, Ubiquity and Monetizing Music

Katrina Carden McMullan, Mattel Inc

• CLE 3: Is Today's Big Money in Cross-Media Licensing?

• Rockin' in the Wee World

Rick Carnes, Songwriters Guild of America

• The Performance Royalty Debate

Chris Castle, Christian L Castle Attorneys

• The Performance Royalty Debate

Matthew Caws, Nada Surf

• The Moment of Truth

Joseph Chiccarelli, Art Fit Productions

• Producers: The Analog-Digital Shift

Scott Clayton, CAA

• International Perspectives on Festivals

Sean Coakley, Songlines Ltd

• Adult Rock Music Meeting

Ted Cohen, Tag Strategic

• Enhancing Digital Retail

Tamara Conniff, Billboard Information Group

• SXSW Interview: Rob Glaser

Stu Cook, Creedence Clearwater Revival

• Quickies Session 3: The Live Show

Jim Cooperman, Wind-Up Records

• CLE 2: Is Technology Leading the Music Business Around by the Nose?

Devin Copeland, Coughee Brothaz Music

• Widening Hip Hop's Global Reach

Matthew Covey, Tamizdat

• Obstacles to Touring Internationally

Susan Cowsill, Susan Cowsill LLC

• "16" Magazine and the Birth of Music Journalism

Kelly Cox, NRDC

• It's Not Easy Being Green

Larry Crane, Tape Op Magazine

• Producers: The Analog-Digital Shift

• Quickies Session 4: In the Studio

Kandia Crazy Horse, Bluegum

• Crash Course #3: Press & Publicity

John Croslin, Irregardless Records

• Crash Course #1: Recording at Home

Ice Cube, Cube Vision

• SXSW Interview: Ice Cube and DJ Pooh

Jennifer Czeisler, Sub Pop Records

• On Set with Music Supervisors

Davey D, Davey D Com / KPFA

• Widening Hip Hop's Global Reach

Jennifer D'Angora, Sonicbids

• Quickies Session 3: The Live Show

Jessica Darraby, Darraby Law

• CLE 3: Is Today's Big Money in Cross-Media Licensing?

Autumn de Wilde, Giant Artists

• Through the Lens: Photographers on Musicians

Rodel Delfin, Hits Magazine

• A&R: New Players in the Game

Gourmet Delice, Blow The Fuse Records

• Mentor Session 4

Valerie Denn, Val Denn Agency

• Quickies Session 3: The Live Show

Dez Dickerson, Pavilion Entertainment/Absolute Records

• Demo Listening 1

Ben Dickey, Constant Artists

• Crash Course #4: Management

Lloyd Doggett, US House of Representatives

• Obstacles to Touring Internationally

Maureen Doherty, Doherty Legal

• CLE 8: What Legal Issues Must Be Considered by DIY Artists and Businesses?

Bob Donnelly, Lommen Abdo Law Firm

• CLE 5: Music Law Ethics - Really?

Chris Douridas, KCRW FM

• On Set with Music Supervisors

Michael Doyle, Revolver USA Distribution

• Vinyl Revival

Charles Driebe, Blind Ambition Mgt/Driebe & Driebe

• CLE 8: What Legal Issues Must Be Considered by DIY Artists and Businesses?

Martin Elbourne, Glastonbury and The Great Escape Festival

• International Perspectives on Festivals

Bob Emmer, Shout! Factory

• Boomer Power

Marcus Estes, Tables Turned

• Resolving Webcasting Fees

Chris Fagot, Lionsgate Entertainment

• Enhancing Digital Retail

Jay Faires, Lionsgate Entertainment

• A&R in Publishing

Rick Farman, Superfly Productions

• International Perspectives on Festivals

Christopher Farrell, The American Association of Independent Music (A2IM)

• Mentor Session 3

Brownlee Ferguson, Bluewater Music

• Quickies Session 2: People Who Pay for Music

Danny Fields, "16" Magazine

• "16" Magazine and the Birth of Music Journalism

Vinnie Fiorello, Paper and Plastick

• Demo Listening 1

Rosie Flores, Durango Rose Records

• Mentor Session 1

Nancy Fly, The Nancy Fly Agency

• Mentor Session 2

Alejandro Franco, Warp Magazine/Warp Media

• Latin Music on Tour in the U.S. and Europe

John Frankenheimer, Loeb & Loeb LLP

• A&R in Publishing

Daryl Friedman, The Recording Academy

• CLE 7: How Is Congress Rockin' the Music Industry?

Angel Gambino, Bebo

• The Best Online Resources

Ben Garcia, NOVASONik

• International Perspectives on Festivals

Eric Garland, BigChampagne

• Mobility, Ubiquity and Monetizing Music

Heinz Geissler

• Mentor Session 1

Lawrence Gelburd, Gelboni Productions

• Demo Listening 3

Holly George-Warren, Jackalope Press

• Rock Memoirs

Frank Gironda, Nettwerk Management

• Pros and Cons of 360 Deals

David Given, Phillips Erlewine & Given LLP

• CLE 2: Is Technology Leading the Music Business Around by the Nose?

Rob Glaser, RealNetworks

• SXSW Interview: Rob Glaser

Karen Glauber, Hits Magazine

• The Moment of Truth

Jake Gold, The Management Trust

• Mentor Session 4

Danny Goldberg, Gold Village Entertainment

• SXSW Interview: Danny Goldberg

Richard Gottehrer, The Orchard

• Enhancing Digital Retail

Chris Gray, Village Voice Media

• Quickies Session 1: Press, Publicists, and Bloggers

Dan Greenpeace, All City Music

• Widening Hip Hop's Global Reach

Gary Greenstein, Wilson Sonsini Goodrich & Rosati

• Resolving Webcasting Fees

Jim Griffin, OneHouse LLC

• Mobility, Ubiquity and Monetizing Music

JT Griffith, Nike

• Brands, Bands, and Fans

Jason Gross, Perfect Sound Forever

• The Blog Factor

Lynn Grossman, Secret Road

• Adult Rock Music Meeting

Daryl Hall

• SXSW Interview: Daryl Hall

Mark Hallman, The Congress House Studio

• Mentor Session 3

Matt Hanks, Shore Fire Media

• Quickies Session 1: Press, Publicists, and Bloggers

Taylor Hanson, HANSON

• "16" Magazine and the Birth of Music Journalism

• The Moment of Truth

Nic Harcourt, KCRW Radio/KCRW

• SXSW Interview: Johnny Rivers

Don Harvey

• Mentor Session 1

Graham Henderson, Canadian Recording Industry Association

• The Performance Royalty Debate

Sara Hickman, Sleeveless

• Rockin' in the Wee World

Bill Hochberg, Law Offices of William Hochberg

• CLE 3: Is Today's Big Money in Cross-Media Licensing?

Dominic Hodge, FRUKT

• Brands, Bands, and Fans

Michael Huppe, SoundExchange

• Resolving Webcasting Fees

Tor Hyams, HyLo Entertainment

• Rockin' in the Wee World

Tony James, Carbon/Silicon

• SXSW Interview: Mick Jones and Tony James

Peter Jenner, IMMF

• Mobility, Ubiquity and Monetizing Music

Mason Jennings

• The Moment of Truth

Maura Johnston, idolator.com

• The Blog Factor

Mick Jones, Carbon/Silicon

• SXSW Interview: Mick Jones and Tony James

Mark Kates, Fenway Recordings

• Crash Course #4: Management

Adam Katz, Tsunami Entertainment

• Quickies Session 4: In the Studio

David Katznelson, Birdman Recording Group Inc

• SXSW Interview: Seymour Stein

Hayley Kaufman, 7X7 Magazine

• Mentor Session 4

Scott Keniley, Keniley Law Firm PC

• CLE 8: What Legal Issues Must Be Considered by DIY Artists and Businesses?

Season Kent, Season Kent Film Music

• Quickies Session 2: People Who Pay for Music

David Kershenbaum, Music Pros Hollywood

• Quickies Session 4: In the Studio

• Producers: The Analog-Digital Shift

Brad King, Northern Kentucky University

• The Best Online Resources

Bob Kohn, RoyaltyShare Inc

• Crash Course #2: Licensing and Royalty Income

Jeff Krasno, Velour Music Group

• Pros and Cons of 360 Deals

John Kunz, Waterloo Records and Video

• Vinyl Revival

Dina LaPolt, LaPolt Law PC

• Mobility, Ubiquity and Monetizing Music

David Lessoff, New West Records

• CLE 6: Are 360 Deals Justified?

Eric Levin, Criminal Records/AIMS

• Vinyl Revival

Andreas Lichtenhahn, Sasse & Partner

• Music Licensing for TV and Film in Europe

Stan Liebowitz, UT Dallas

• The Performance Royalty Debate

Steve Lillywhite

• A&R: New Players in the Game

Laurie Lindeen, petalpusher

• Rock Memoirs

Jerry Lopez, Santa Fe Tracking Station

• Latin Music on Tour in the U.S. and Europe

Vickie Lucero, Propaganda Media

• Mentor Session 1

Evan Lurie, Brazen & Cavalier

• Rockin' in the Wee World

Kevin Lyman, 4-fini

• Latin Music on Tour in the U.S. and Europe